Celebrating Revela-T

Arriving in Barcelona for Revela-T 2017, I had little idea of what to expect. It is an incredibly long 28 hours by plane from Australia. The day after landing we headed out to Vilassar de Dalt early in the morning to hang the photos I was exhibiting at the Cal Garbat. Of course we got lost a little, had questions about paying bus fares, wandered the streets, and were found again. The exhibition space, an old abandoned factory we fell in love with. After meditating on the wall, and making a plan on how to hang my photos, we felt it was time for morning coffee, being still a little on Sydney time. With Melody, my partner’s help, we rapidly installed the exhibit in time for the mid afternoon lunch break: now we were on Barcelona time.

Lunch of course was a celebration in itself, as are most things perhaps in Catalonia. Although in the previous year, I had a photo included in Revela-T as part of the Next Best Thing Pinhole Project and many pinholers attended, it seemed just too far at that time. I had been recovering from heart failure, and always want to make the most of travel with a rigorous pace. Little did I realise that even this time, on returning to Australia blood tests showed that I was a little hypothyroid during these travels again and needed adjustments to my medications. Notwithstanding, no one ever wants to rust away by becoming moribund, so perhaps it is better to burn out a little, seize the day and enjoy the celebration of life, people, places, food, wine and photography.

And Revela-T is not just a photographic exhibition but all of those things, a festival bringing together a community passionately celebrating image making based in chemical processes from film to wet plate, daguerreotypes to instant film, cyanotypes to caffeine development, with lenses and without, from small to large formats and beyond. It is place to share stories, experiences, learn, to discover new friends, catch up with old friends and meet those known from across the internet, to listen to artists talk about their work, to enjoy the town of Vilassar de Dalt with its unique heritage, and perhaps more importantly to enjoy the photographic life that this analog fiesta celebrates.

I feel incredibly grateful to have had some of my photographs chosen to be exhibited at Revela-T, to have been unhidden, discover Catalonia and Spain, and be able to share the passion of those participating me in these images taken with my Olympus-OM2 on colour infrared film.

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Halfway to low tide

Everywhere there are reminders of time. The sun rises and sets, tides come in and out at all hours of the day and night, the moon passes through its phases, seasons are marked by solstices and equinoxes, and the movement of constellations across the sky witnesses the passing of seconds and minutes, into days and years. Flowers bloom, leaves fall, life comes and go.

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Ancient eye

It might have been halfway to low tide that it was abandoned, but when I arrived the flood tide was reaching its peak. Not far from the water’s edge I looked down and espied a wrist watch, neatly fold on its band with mother of pearl face reflecting the sky.

The place was deserted, and the next large wave might cast it into a crevice to be lost forever. I looked out to sea macabrely half expecting that a body might be floating or a person might be swimming distantly to a futile future. Gratified that the sea was empty as the rocks of people, I determined that finder’s law must apply and saved the timepiece.

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The big and little hand

Temporality and its markers hasten the prescience that mortality means becoming a memory lost to time, like a missing watch suspends our capacity to observe moments drifting past. The possibility of death after learning I had cancer, did not make me believe that life was vanishing before my eyes, but rather that I would wash with each passing year from the memories of others.

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Wash

Death and its shadow never seems far away. I have been always rushing to do things, or defend things, and have been fearful of passing. Phrases such as “walking on” or “swimming beyond” are more appealing euphemisms to me. I am less worried about eternity’s breath now, although some things make me anxious. It is good to slow and take a breath. The world isn’t going away. Kilimanjaro and the Himalayas will still be there. I might never see them, but this feeling I was fading out of history and would soon become a lost memory troubles me less. I feel a lot more assured that I might be forgotten, but perhaps a little less slowly than I anticipated. Time to let go.

A friend recently wrote to me: “What you will take away from your time at work [and life] will be the satisfaction that you made a difference in a great many lives. There are people who will remember that you once helped them when it counted, and that made their lives possible.”

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Diamond heart

Recently our son graduated, and daughter earlier this year. He will be 25 in February and she 24 in the middle of the year. I am feeling a lot older and that life passes, moves forward and eclipses us. I am enjoying watching my wisdom seem to grow or acceptance of ageing a bit more at times.

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Mask

It is time to make some more photos.

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Waves still crash

All photos taken at Bass Point with a Chamonix 045F1 View Camera, Nikkor-SW 90mm f/8 and Rodenstock Apo-Sironar-S 150mm lenses, and Shanghai 100 film and developed in PMK.

 

 

Winter haiku

Winter comes –
I see it in my face,
days grow shorter.

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Fault lines

Light is white
Except when it’s black
– clouds are grey.

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Intersection

Lines, lines, lines.
Lines radiate from my eyes
– laughter lines

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Tessellations

All photos taken on the rock shelf at Shellharbour using a Chamonix 045F1 View Camera, Wollensak Velostigmat W.A. Ser. III f/9.5 6-1/4inch lens, on Fomapan 100, and developed in a mix of Xtol(1.3)+RO9(1.160).

Garden of Roses

Over the weekend we visited Cowra and Canowindra on the western side of the Great Dividing Range. The latter is on the Belubula River which flows into the Lachlan not far downstream from Cowra. It is a prosperous grain and grape growing area when it is not otherwise in drought. Many of the fields have been ploughed ready for spring crops and welcome late autumn storms and rain.

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Late afternoon storms

The country beyond the great sandstone curtain in the central west is different to the world experienced on the coast. It is hot in summer and cold in winter. Hills roll out from the mountains into gently undulating slopes which gradually flatten into river flats and eventually plains where the eye can see almost forever. The dirt is a rich volcanic red.

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Hillock near Canowindra
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Ready for seed

Small ranges rise along the Lachlan River Valley, and caves hidden in their forests once were home to bushrangers. As the river travels deeper into the interior, its banks are home to old river gums and the land of the ancient Wiradjuri people with their culture once of carving trees.

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Silos at dusk near Cowra
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Disused railway bridge

Canowindra has an iconic narrow main street that winds above river flats around a small hill. There are four old hotels in the space of a few hundred yards and the remarkable Garden of Roses cafe with its stained glass windows and rows of empty tables and chairs. At one end of the main street is the small but important Age of Fishes Museum with its rare fossils from the Devonian period. Much as I am committed to landscape photography I force myself to make a few photographs within the streetscape.

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Garden of Roses

We toy with the idea of moving inland where property is significantly cheaper and life slower. The people seem kind and generous, and it feels almost like an agricultural utopia. One suspects the streets are quiet on a cold Sunday morning, not because the townsfolk have gone to church, but because they are sleeping in. Beneath the surface, poverty still dwells but is concealed by the presence of tidy towns, cafes, local museums and galleries. Although time passes by many small towns, freshly painted buildings and window displays in empty shops encourage a sense of hope lighting a path to the future. Bucolic dreams always lead to existential contemplations which tantalise heart and mind as rural revelations question our urban existence near the coast.

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Royal Hotel
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Geraniums at The Old Vic
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Canowindra Hotel

All photos taken with Chamonix 045F1 View Camera, with Goerz Dagor 10 3/4″ and Gundlach Radar Extreme W.A. Anastigmat f16 6.5×8.5″lenses, on Fomapan 100 film, and developed in a mix of Xtol(1.3)+RO9(1.160).

Falls

Waterfall Creek meanders quietly through stands of salmon coloured angophoras, white scribbly gums and gymea lilies with their towering red flowers in spring, before dropping twice over the sandstone escarpment at National Falls to the rainforest far below.

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Scribbly gum and gymea lily

Late in the afternoon shadows descend quickly under the escarpment, while on the plateau, by chance the sun picks out a tree or lily to highlight with its rays before falling beneath the horizon in the west.

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Ferns and stream

Looking east from the edge, I imagine the early morning glow bathing the sandstone cliffs and falls, as I peer under its shining steps into the gloom.

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Shining steps

Fading light only deepens the vertiginous illusion that I too might fall like water to the sun.

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Vertigo

Photos taken with Chamonix 045F1 View Camera, Goerz Celor 7 inch f/4.5 (top photo) and Gundlach 5×8 Korona Anastigmat f/6.3 lenses, on Ilford Delta 100 film, and developed in RO9(1.50).

Peace

“Nothing ever happened – Not even this ”
Jack Kerouac, Big Sur

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Bixby Bridge

From beneath the trees in the canyon below came the occasional sound of laughter. Through the leaves, glimpses of Bixby Creek glistened with silver beneath the deep blue sky. It didn’t really matter to me that the secret world in the canyon could not be seen. I knew this place. “Leaves suddenly go skittering in the wind and into the creek, then floating rapidly down the creek towards the sea, making me feel a nameless horror even then of “Oh my God, we’re all being swept away to sea no matter what we know or say or do.””

Kerouac would always fill my visions of the canyon. In the distance I could hear the crashing roar of waves and knew his words hadn’t been washed away. The bridge spans memories of isolation and feelings of hopelessness lying underneath. I felt breathless.

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Free your mind at least

Inscribed in the wall at the back of the Old Monterey Gaol is a peace sign. No one ever escaped from here, except in their minds. The grille must have made the air within feel dank and lifeless. Who carved the graffitti, who suffered within?

For a little over hundred years the Old Monterey Gaol held prisoners. How long would the date 1854 carved so boldly in the lintel over the entrance remain, in contrast to the peace sign at the rear. Not all visions of isolation lead to hopelessness but sometimes we can be encouraged and reminded of peace.

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1854

Lying in my hospital bed healing, on the hill between Monterey and Carmel, I looked out at the trees and saw them come alive. In the leaves and branches I could see faces. Perhaps these were the spirits of the place, or of those who had not left yet from its dreaming. It caused me neither fear or horror, but instead peace.

From my home in the other side of the Pacific, I now yearn to look south once more towards Point Lobos and Big Sur from this place of enchantment. I had not been washed away, and my life taken on the tide.

Perhaps nothing ever really happened…not even this.

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Looking south

All photos taken with Chamonix o45F1 View Camera, using Rodenstock Apo-Sironar-S 150mm and Goerz Dagor 10 3/4″ lenses, on Delta 100 and Aerochrome.

Lonely roads, distant places

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Lonely road north from Mt Shasta

Early light from behind the cracks in the curtains woke me in our motel room. I jumped out of bed to see clear skies beckoning. Not a precious moment could be wasted. The forecast was good, and storms were not expected until late afternoon. We could leave Mt Shasta and reach Crater Lake before lunch.

We drove northward into Oregon on roads that were mostly deserted. The valley around Fort Klamath was silent. Here and there were empty old barns. Houses and cabins seemed to be closed for winter with driveways deep in snow. The only life I saw was a pair of fish swimming in a crystal clear stream in a world of their own.

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Barn
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Stream

It was not until we reached Crater Lake that we saw a few other people. I took a photo and then moved around the rim to where the views were steeper and clearer. Clouds were starting to move in from the west bringing a change. Suddenly what portended an ill wind to me hit. It was freezing cold, carrying ice particles that were hurled like many thousands of tiny spears. Melody sheltered while I finished my photo stepping gingerly not to lose my footing in the ice covered snow.

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Wizard Island
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On the edge

Hastening off the mountain, we soon turned east taking back roads across high desert country to Christmas Valley hoping to outrun the weather. We were glad when we got there to see the only gas station for many miles, refueled, and stocked up on a few drinks and snacks.

Nightfall came when we reached Burns. The streets were mostly devoid of traffic and people. We checked into the Silver Spur Motel on the far side of town at the end of main street. Only $44 dollars a night, free wifi, queen sized beds and most importantly, heating. The surrounding country was still covered in snow, but patches looked swampy where it had begun to melt.

We had dinner at the Mexican bar and dinner back down Nth Broadway Ave. It had a only few customers. In spite of the recent siege at Malheur, there was no evidence of law enforcement or media remaining present in the town. Most motels and restaurants were empty. The circus had left this distant place to follow other stories. It was encouraging to hear the locals checking in with each other, asking whether they were doing okay. Back at the motel I received an unwelcome email from a former employer and would spend several sleepless night worrying. I started to feel breathless and unwell.

The next morning grey clouds hung low in the sky, the light was soft with a tinge of orange on the mountains to the east. In the distance Steens Mountain stood white and resolute. Reaching the pass and vales near Stinkingwater Creek the emptiness spread out before us. We stopped briefly to admire its beauty and momentarily feel the solitude. It would be a long way to Vale with its streetscapes of murals celebrating the Oregon trail and the path taken by pioneers to distant places.

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Dam at Stinkingwater Creek

We had last crossed the Oregon trail several years ago at Montpellier in Idaho from where it is a long way down the Snake River Valley and then beside the Malheur River to Vale, and even further to Burns or Christmas Valley.  On the wall outside the Vale Public Library is a mural depicting pioneers enjoying the nearby Malheur River, resting and breaking their long journey with water and pastures for their beasts. The route most certainly was tough heading west from Vale along the Malheur into the high desert. Above the library entrance there is a quote from a pioneer woman which for me captures the essence of enduring such a long lonely trail into desolation:

“I must keep writing to remember who I am.”

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Snow in the high desert passes

All photos taken with Chamonix 045F1, Rodenstock Apo-Sironar-S 150mm and Goerz Dagor 10 3/4″ lenses, on Delta 100 film and developed in a mix of Xtol and RO9.