Distant winter sun

Originally posted on 52 rolls:

August can bring cold frosty mornings, clear blue skies, a chill in the breeze, and a rapid fall in temperature when the sun starts to set. It is on these days when the winter sun is distant, that it seems perfect to be the only person on a beach, in the surf, or walking the headlands of the South Coast.

In the nearby wildernesses of the Great Dividing Range, the cool weather provides an opportunity for burning off to reduce the fuel load in the forests before the long dry summer months begin. The smoke haze sunsets intensify red and orange hues of sandstone cliffs facing the west on the escarpment.

Winter morn - Beagle Bay, South Durras

Winter morn – Beagle Bay, South Durras

August 2014 GSW690II Pro160S TetanalC41 7

Trees at the end of Cookies Beach

Lone surfer - Wasp Head

Lone surfer – Wasp Head, Murramarang NP

August 2014 GSW690II Pro160S TetanalC41 19

Wobegong Bay, Murramarang NP

Ochres at sunset

Ochres at sunset – Hylands Lookout

August 2014 GSW690II Pro160S TetanalC41 26

Looking towards Yalwal

Burnt orange

Burnt orange

Smoke haze at sunset Smoke haze at…

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Winter shorelines – Holga Week 2014

Originally posted on 52 rolls:

To absolutely devastating effect during Holga Week, I firstly decided to try some components of a digital Holga kit on my Holga 120N: macro attachment, tele and wide converter. For the macro shot I simply guessed at the recommended distance marked on the lens attachment from the object I was photographing. The film used was Kodak TMax 100 and it was developed in a mix of Pyrocat-HD (1.1.100) + Adonal (1.100) for good measure. Sometimes I prefer to use the 6×4.5 frame with the 120N.

These shoreline photos were taken on the black sand beach at The Shallows just south of Shellharbour.

Urchin, shell and stone

Urchin, shell and stone (macro)

The loader

The loader (tele)

Rocks and tide

Rocks and tide (wide)

For Holga Week I also shot a roll of Efke R50 in my Holga-120WPC which I stand developed in Adonal(1.100). These photos were taken at Minnamurra and the deserted ocean pool at Bulli POint.

Rangoon Island

Rangoon Island

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Woods and beach

Originally posted on 52 rolls:

The sky was clear when we left the beach near Red Point taking the trail through the woods to Hare Point and Carama Inlet. Walking through woodlands parallel to the beach we were out of the breeze, and could enjoy the first of the wattle scattered near stands of young banksias and gum trees.

Arriving at Carama Inlet at low tide we walked over strap weed mounds piled high by wind and waves on the beach. The rocks were covered in unopened oysters. A testament to the quiet isolation of this hidden corner of Jervis Bay. Coming around the corner onto Hare Point the full force of the strengthening gale coming across the bay hit us. To the south rain squalls were visible over Point Perpendicular, and a storm front extending across to distant Pigeon House Mountain.

It was going to be a long walk into the wind, face down…

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Infrared in the rainforest

Originally posted on 52 rolls:

Deep beneath the Illawarra escarpment, where the Macquarie Rivulet exits the rainforest into farmland, is a world of tall trees, vines, fallen logs with mosses, and boulders covered in lichens. It is place where the sun barely penetrates onto the forest floor in winter, always feels damp and smells of decay. Typically, the sort of environment where the camera viewfinder, or ground glass will fog up because of humidity and condensation.

I decided this might be the place to take roll of expired Aerochrome in my Olympus OM-1 with G. Zuiko 50mm f/1.4 lens. For a filter I had recently purchased a Soviet Y12 filter by LZOS, and also had 12mm extension tube in my pocket in case there were some macro opportunities. Many of the images were exposed hand held using a shutter speed of around 1/15s and fairly wide apertures due to poor light. I always find it…

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Around the old light at Belmore Basin – Kine Exacta

Originally posted on 52 rolls:

Exacta  8I bought this marvellous camera about two years ago. It is far from being in mint condition, but still works beautifully. Sometimes provenance can be more important that looks.

The Kine Exakta is regarded as being one of the world’s first SLR cameras, and this variant spelt with a “c” was probably exported to the USA. It was designed to use 35mm film that had become standard in the cinema, hence the name Kine. It was manufactured by the legendary Ihagee camera company in Dresden, which was largely destroyed during World War II.

Mine is an early postwar version of the camera. The differences between it and the prewar models are fairly minor. The lens is a f/3.5 50mm Tessar lens manufactured by Carl Zeiss in Jena. The red T indicates that it was coated. The focusing distances on the lens are measured in feet.

July 2014 HolgaWPC Pyrocat(stand) 1July 2014 HolgaWPC Pyrocat(stand) 2July 2014 HolgaWPC Pyrocat(stand) 3July 2014 HolgaWPC Pyrocat(stand) 5July 2014 HolgaWPC Pyrocat(stand) 6July 2014 HolgaWPC Pyrocat(stand) 7July 2014 HolgaWPC Pyrocat(stand) 8July 2014 HolgaWPC Pyrocat(stand) 10All photos were taken around…

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Originally posted on 52 rolls:

Trees can be vertiginous reaching straight up to sky, although some have limbs that are twisted and seem to wave instead. There are trees that have bark which is thick and hard, whilst others have thin mottled skins that flakes off. Grass trees on the other hand really have no bark at all.

June 2014 LC-A Velvia50 TetanalC41 4June 2014 LC-A Velvia50 TetanalC41 10June 2014 LC-A Velvia50 TetanalC41 14June 2014 LC-A Velvia50 TetanalC41 15June 2014 LC-A Velvia50 TetanalC41 16June 2014 LC-A Velvia50 TetanalC41 18June 2014 LC-A Velvia50 TetanalC41 37

June 2014 LC-A Velvia50 TetanalC41 20Trees are usually about us but I bemoan neighbourhoods without them. Those places are like prisons, whereas I can think of nothing better than heading off for a walk through the trees. There is always something worth seeing – oh yeah…and then there is the destination too.

June 2014 LC-A Velvia50 TetanalC41 25

Taken with Lomo LC-A in and around Morton National on Velvia 50, which was crossprocessed in Tetanal C41 Two Bath Rapid Kit.

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Don’t move!

Originally posted on 52 rolls:

Invariably, there is a film that has been sitting in the fridge for a while needing a camera to roll in.

It could be treasured a bit longer, left in that dark trove and not moved, but the world has called. Somehow it seems like the perfect film for pinhole, with its fine grain, high contrast, colour saturation, and even suits a little xpro. So into the Holga WPC a very expired roll of Fujichrome T64 was loaded, then shot.

Although landscape has its challenges, photographing a horse feeding at sunset using a pinhole camera with exposures of around a minute has its own reward. Sure, one can sit patiently in deep contemplation for 14 minutes by a creek in a rainforest waiting for an exposure to run down, but with a horse there is a vicarious thrill. If it is hungry, it will ignore you, and the cable release…

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